Posts sent on: 2015-08-04

Virginia Tech Football: 4 Hokies Primed for Breakout Seasons - Bleacher Report

04 Aug 2015 
How could he end up being poised to obtain a breakout season?

Michael Shroyer-USA TODAY Sports

Frank Beamer and Brewer

He is actually one of eight offensive starters returning and is also far more comfy with just about all the offense. Inside just about all associated with Tech's scrimmages and the official spring game, Brewer didn't toss 1 interception. Your loss to Wake Forest had been certainly one of your worst within current school history. Yes, Brewer is a senior and also started each game in 2014. Brewer had been terrific contrary for you to the Buckeyes final fall, using hit after hit and continuing to obtain up and help make numerous large completions.

Michael Brewer

He has been terrific inside the spring, too. Now, he's were built using a complete offseason using offensive coordinator Scot Loeffler along with grown with Ford, Hodges and Phillips.

The Hokies will compete for that ACC title throughout 2015, and Brewer will possibly be a huge reason why.

. Brewer took his lumps last season, going through a number of highs--including leading the particular Hokies for an upset over Ohio State--and a amount of lows. He struggled along with turnovers last fall.

Hokie fans should expect you'll notice really the actual Brewer coming from spring practice throughout 2015.



Easily

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Tom Allen's comedy space odyssey: finding the right sized room for standup - The Guardian

04 Aug 2015 
In an age when a generation experiences TV series on a laptop balanced precariously on their chest, standup comedy is about coming together and being part of something. But the setup of the room can impact massively on your experience. Comedy should feel like a game of tennis. Even the best serve will miss if the audience aren't close enough, can't hear the performer or are sat at round tables with half of them facing away from the stage. And as for performing to people who are dining, I shan't mention how I was once heckled with "Where's my starter?!"

Related: Tom Allen: how a homophobic rant led me to come out in my standup act

Grand rooms can dissipate atmosphere with a high ceiling, but smaller rooms have their challenges too. At the Edinburgh fringe, rooms can vary enormously in size and design. Most comics will find themselves performing in small improvised spaces, converted toilet cubicles and huts made largely of tears and hair.

It is here a comic really plies their trade. Awkward shapes, odd sight lines and bits of the stage halfway out the window. The audience is often right in front of you in a space which probably seems like their front room. Is it even safe to be this close to a performer?

The experience changes in huge venues: an audience in complete darkness, and a brightly lit stage, give you the feeling of being in a brilliantly illuminated cell. In smaller rooms the performer can see everyone's face and the unsmiling man on the second row can destroy their confidence - especially when he's a fifth of the audience. And he might be having a wonderful time! He can't help that he's just got quite a miserable-looking face.

An audience need to see themselves reflected in the performer on stage and the performer needs to feel like their work is being reflected in the faces of the audience. And performers are so needy.

The best rooms tend to be a bit uncomfortable so you have to make the best of it and throw yourself into laughing. Because, as in life, we are all a bit awkward but comedy can help us make the best of an uncomfortable seat.
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'People/Place: American Social Landscape Photography, 1950-1980? opens at ... - vtdigger.org

04 Aug 2015 
There is no mockery inside it...The people about these pages, whom appear us in the eye without regret, have got stood a great struggle." These types of phrases exemplify Hubbard's deeply engaged approach in order to photography and to his community, capturing within everyone of his images a persons spirit in every its complexity.

In the collaborative effort Bennington Museum and also Bennington University get selected photographs from the portfolios regarding Jonathan Brand, John Hubbard, Neil Rappaport, Garry Winogrand, along with Lee Friedlander, to existing a very special exhibition entitled People/Place: American Social Landscape Photography, 1950-1980.

"In yesteryear decade a new generation regarding photographers has directed your documentary approach towards much more private ends. More Than 1 thousand images were taken, and in 2010, 174 had been donated towards the Bennington Museum.

About your Museum

Bennington Museum is actually situated from 75 main Street (Route 9), Bennington, inside the Shires of Vermont. He photographed tourists coming to the Bennington Battle Monument, the ones viewing displays from an antique show, monks in the monastery in the Everett Mansion along with policemen perched about stools in a luncheonette counter, as well as daughters Ulrika bouncing in a yard and Jenny asleep in their stroller. He shot approximately 45-50 rolls of film throughout 3 days. Standard admission can be $10 for adults, $9 pertaining to seniors as well as students over 18. They Will such as the real world, regardless of its terrors, as becoming a supply of all surprise as well as fascination as well as value-no less precious for being irrational."

John Szarkowski, introductory text for the 1967 MoMA exhibit, New Documents.

While John Hubbard's photographs vividly capture the folks regarding Bennington because they labored and also played 35-40 years ago, that they too reflect his personal vision, providing glimpses in to the lesser-known social facets of the actual town. Cautious framing along with split 2nd timing are usually important facets of their own practice, and also we have selected a new wide range of their finest work," states Jonathan Kline, Faculty Member with Bennington University and his students. It can be wheelchair accessible. In the particular surface, the particular cars, clothing, and ads provide the rush involving nostalgia, "yet pondering your images reveals the particular psychologically charged millisecond when the photographer as well as subject connected. The Actual museum is actually open up every day except Wednesday, 10 am to become able to 5 pm. These kind of photographs, more than 165 of these and all anonymous, became the "Bennington Visual Census," providing the glimpse at lifestyle within Bennington inside the late 1970s.

News release -- Bennington Museum

July 31, 2015

Jonathan Brand's journey Inside October 1967, via Manhattan's Upper West Aspect for you to Bennington, Vermont had been totally documented throughout grayscale images through Brand. Whether Or Even Not posed or even candid, neighborhood or distant, the task shown in this exhibition shows how social landscape photography elevates what most would view as minutiae associated with daily life, transforming it inside a captivating along with visually stunning manner," states Kline.. Each address concerns of fragmentation, alienation, as well as the surprise in the everyday.

Neil Rappaport lived as well as labored within Pawlet, Vermont for nearly thirty years. around 1979, Rappaport began getting students via his Advanced Photography class about area tasks in in order to the communities which surrounded the actual college. Their Particular aim continues to end up being able to be never to reform life, nevertheless to be able to understand it. They, in supplement to Jamie Franklin, curator in the Bennington Museum curated along with installed this exhibition. He was a self-taught photographer that proven the particular photography program with Bennington College, exactly where he served about the faculty coming from 1970 - 1997. Presently there is 1 thing strong in regards for you to the word. Their Own work betrays the sympathy-almost an affection-for the imperfections along with frailties of society. Admission can be by zero means charged pertaining to younger students, museum members, or visit the actual museum shop. Winogrand's spontaneous images regarding everyday routine frequently integrate unusual camera angles along with implausible configurations of individuals within his viewfinder. Friedlander is best noted for complicating your viewing expertise by the use of reflections and shadows, and taking benefit of street signs and also windows as framing devices. "Each of these photographers explores a person's issue within the particular public sphere, the social landscape. Here these folks were to create any visual record regarding what they found as Rappaport taught them "how to locate subject," and place on their particular own in environments that were new to them. He taught them how to allow camera be the bridge for the subject. Go to the actual museum's website www.benningtonmuseum.org or contact 802-447-1571 for more information.

Contact:

Susan Strano

Marketing Director

Bennington Museum

75 Primary Street

Bennington, VT 05201

802-447-1571

[email protected]

Participants coming from Bennington School included students Michael Ash, Iris Bennett, Amelia Bois-Rioux, Rocco Farano, Cassandra Langtry, Abby Mahler, Nathaniel Miller, Nathan Paul, Hannajane Prichett along with faculty member Jonathan Kline. Combining these photographs to create an exhibit involving wordless literature is an effort created by the School along with Museum to link themselves as one, share photographs from separate archives, and allow visitors to savor the exhibit as a community. Images from your series contain gleaming new fuel stations and rusty previous cars, interiors with the Paradise Motel plus a diner about West Primary Street, portraits of members in the family and candid shots of people on the street. People/Place: American Social Landscape Photography, 1950-1980 will be on view from Bennington Museum through August 15 through November 8.



Each image within this exhibition offers a window which allows the viewer to check back over time along with discover fragments of the sociopolitical, cultural, and emotive landscape in which shaped that will period. Associated With these images, Hubbard noted "Old. Additional to those are generally portraits involving older people. While the young, socially conscious man surviving in Vermont within the early 1970s, many regarding his images depict young progressive sorts such as artists, craftspeople as well as back-to-the-landers. People/Place: American Social Landscape Photography, 1950-1980 will probably be in view in Bennington Museum through August 15 via November 8.

Although Garry Winogrand and Lee Friedlander rarely travelled via southern Vermont, they're both identified because the most influential American street photographers regarding the 2nd half of the 20th century

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